 Nowhere in the world can you find
the country like Montenegro. There are countries bigger and
wealthier but none is described by the name itself. Kings used to
call their country by the name which signified its essence.
Montenegro used to be monarchy and that was at the time when
monarchies and big imperies were vanishing, when their names were
being forgotten, and when they were getting into the world of
fairy tales and legends. It was only Montenegro that remained to
testify that the fairy tale beauty contained in the secret of the
name never disappeared.
The Montenegrins have always
walked proudly, with the look aimed upwards, above the peaks of
Lovcen and Durmitor. Their aspirations are bigger than the
mountains, they are like the longing for knowledge which, even in
the Middle Ages, made them accept the innovations of the modern
time yet to come and bring
them into their own country. It is said that when Guthenberg
invented printing works, the Montenegrin prince Ivan Crnojevic
brought it on his own back during his return to Montenegro.
The Montenegrins even had the
writer Petar Petrovic Njegos to rule the country much earlier than
it became modern to have intellectuals involved into politics.
When he died, he was burried on the top of Lovcen, so that
everybody could admire him and so that everybody would be shown
the way towards the heaven, as it was exactly the case with
sharpened domes of big europian cathedrals which are so close to
the sky. In their history the Montenegrins defended their country
from the Ottoman invasion, so they melted lead from the printing
works into bullets, but there are some stories which say that
after these victorious battles they again turned it into models
and letters. I do know where this is true or not but legends are
not there to tell the truth.
And they often hide some other stories. I am sure that the
adjective within the name of
a country lives in the soul of its nation, but since there are
countries without such an adjective there are also nations who do
not make any difference between the moral and beautiful.
Everywhere are these two senses different from each other, but in
Montenegro they represent two expressions for one and the same
thing. And for me this, more than any legend, shows the way
towards the trouth about one nation. I came
into Montenegro like an adult entering the garden of his
childhood. It seemed to me that I could measure it step by steps
as I had measured the quarters of my hometown. I exactly knew how
many steps I had to make to come from my house to school and from
the Kosevo stadium, or from cinema to place chosen for the first
dates. So I measured Montenegro, too, without taking its
measurements. And that was not so becouse it was a small country.
My father used to say
that if Yugoslavia were ironed it would be larger and bigger than
the Soviet Union.The same can be applied to Montenegro.
If you look at this country from
the sea, you seem to be hearing Kant's words: “Tragedy releases
the feeling of sublimation”. That is the feeling arising in you
when you look at Lovcen from Kotor. It seems to me too, that from
St. Stefan to peaks of Durmitor and Black Lake there is eternity
to walk: two beauties are merged in the poetry of Crnjanski, the
glaciers of Greenland approach to warm sandy coves of
Southern seas. Everything is merged in Montenegro, while making
strange contrasts, everything is entangled tinily, and grandiosly,
like in the childhood memories when reality seems to be glittering
full if vivid colours.
The story about Montenegro is
also the story of its people with wits and virtues. As Njegos used
to fascinate the nobility of europian courts, so it is today when
the sports heroes fascinate milions of the public, the giants of
basketball are still, even today, born in Boka Kotorska, at the
sea or in the Montenegrin mountains. The state team of Yugoslavia
cannot be imagined without Montenegrin footballers, not can any
great club be without their young tallents. And this is only one
part of story about this country. That is so becouse lacal
stories, fairy tales and legends interweave. When Dejan Savicevic
in the Champion Cup final in Athens, where Milan beat Barselona
4:0, dribbled past an opponent player, he did it as if he had come
down from Vojo Stanic's painting, using the unpredictable path
along the diagonals born on the same place where the genius of
this great painter was. Witty grandmothers travelling in eggshell
on Stanic's paintings as well as Dejan Savicevic's balls,
completely inconprehensible for the goal-keeper of the opponent
team.
When overwhelmed by grief I
escorted the coffin with my father in it to his final trip to the
cemetery in Herceh Novi, with the look lost somewhere in the
distant sea horisont, I thought that he been killed by the
misfortune of a country, our country which disappeared in that
very 1992. While the dry branches of pinetrees were cracling in a
long silence of steps, I knew that death could be consalation and
that he would rest in peace here. I had the feeling of
reawakening, rebirth. What I and my father used to love in the
lost country will live here in Montenegro.
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